本书为公版书，为不受著作权法限制的作家、艺术家及其它人士发布的作品，供广大读者阅读交流。汇聚授权电子版权。

It was a monstrous constellation of unnatural light, like a glutted swarm of corpse-fed fireflies dancing hellish sarabands over an accursed marsh (...)'. H.P. Lovecraft was perhaps the greatest twentieth century practitioner of the horror story, introducing to the genre a new evil, monstrous, pervasive and unconquerable. At the heart of these three stories are terrors unthinka...(展开全部)

This book analyses the development of Benjamin's concept of experience in his early writings showing that it emerges from an engagement with visual experience, and in particular the experience of colour.

菲利普·鲍尔（Philip Ball），英国科学与科普作家，《自然》期刊特约顾问编辑。他在牛津大学主修化学，后来又在布里斯托尔大学获得物理学博士学位，所著的社会物理学著作《预知社会——群体行为的内在法则》（2004）获英国安万特科学图书大奖，另外还著有《牛津通识读本：分子》（2003）、《为帝国服务：希特勒时期为物理学真谛而战》（2014）、《图案密码：大自然的艺术与科学》（2016）等多部作品。

Colour in art - as in life - is both inspiring and uplifting, but where does it come from? How have artists found new hues, and how have these influenced their work? Beginning with the ancients - when just a handful of pigments made up the artist's palette - and charting the discoveries and developments that have led to the many splendoured rainbow of modern paints, "Bright Ear...(展开全部)

Eugene Richards is one of America’s greatest living social documentary photographers. His intense vision and unswerving commitment to documenting the plight of the disadvantaged has produced powerful work on topics such as drug addiction, poverty, the mentally disabled, ageing and the personal consequences of war. The Blue Room is his first colour project, a moving, highly pers...(展开全部)